Australian writer-director Zak Hilditch’s apocalyptic vision is striking in its visuals, bold in its bleakness and completely unoriginal in its core narrative. An asteroid strike in the North Atlantic sends a tsunami of unstoppable fire around the world, with Western Australia the last place to be hit. The people of Perth have 12 hours to contemplate their demise and, as the sky turns hotter, lawlessness rapidly descends – with many choosing suicide or the escape of hard drugs, rather than meeting their fate head on.
Combining auteur filmmaking Terence Malick with powerhouse performers Christian Bale, Cate Blanchett and Natalie Portman should, in theory, have resulted in cinematic fireworks. Instead, Knight of Cups is a damp squib, its arresting visuals an artistic smokescreen for a barely-there narrative that is unoriginal, insipid and downright alarming in its treatment of women.
With his jaw-dropping version of Rudyard Kipling’s beloved anthology The Jungle Book, which tells the story of young, abandoned orphan Mowgli who has been raised by wolves, director Jon Favreau has achieved the near impossible, managing to stay true to both Kipling’s tales and Disney’s revered 1967 animation, while offering something entirely new.