Joy (2015)

Joy_CropIt’s a testament to the strength of his talent and vision that David O’Russell is readily regarded as one of today’s greatest filmmakers, despite the fact that he has made just seven films – discounting the disowned Accidental Love – in the past two decades. With topics ranging from the opportunities of war (Three Kings) to blue-collar boxing (The Fighter) and the exquisite art of the con (American Hustle), O’Russell’s screenplays demonstrate a colour and eloquence that are expertly serviced by his masterful direction. It’s an exemplary body of work that sets a very high bar; one which his latest, screwball drama Joy, struggles to reach.

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